So after a few emails back and forth, I tried to set up a meeting with John and Dennix to go over what I have in mind for the film. Unfortunately, John was busy this weekend so I scheduled a meeting with Dennix.
We met up last night and went over the idea behind the film, the script, the storyboards, and also spoke some about the shoot dates and times. After we spoke about the film we had a chance to get to know each other a bit better. Here is a little about him:
- 26 years old
- Born in South Africa
- Moved to UK when he was 14
- Lives in Mansfield
- Likes going out
- Studied music at Nottingham University
- Has a comedy sitcom in the making
Additionally, I think its important for an actor to be able to identify with the role they are playing. Dennix told me when we met up that he has been in a rough environment and seemed to empathize and understand Paul. This will be very beneficial in making the film feel genuine.
Sunday, 22 February 2009
Casting Calls
For the parts in my film, I posted a casting call on StarNow.co.uk which is a website where you can post your idea and look for actors to be in the film. Within the first couple of days I had 4 applications for Paul, however no applications for Joseph. The person who I have casted as Paul, Dennix, is an experienced actor and model. (See below)
Dennix (Paul)
Dennix's Experience
Acting experience:
Music videos
Booty Luv 'Dont Mess With My Men'2007
NOKIA advert june 2008
MR Eleven 2008
Goal 3 to be released in 2008
Iphone campaign ad 2007
DOCTORS nov 2007
PC world advert feb 2008
Doctors role march 2008
Doctors may 2008
Shameless 11/june/2008
Nokia advert june 2008
Football Association coperate vedio july 2008
Jonathan's Creek 22 july 2008
Holby City january 2009
Television Experience:
Bulls Eye TV 2007
Legal TV 2006
Channel 4 "You Are What You Eat" 2007
Music Experience:
Rnb and hiphop manager producer.
Wrote and produced a song for BBC children in need 2005 shown on BBC1
Remixed shane wards new song 'if thats ok with you 2007'
Dancing Experience:
Hip hop ragga and niche styles.
Photography Experience:
Pro photographer works for XXLmedia.co.uk
Magazine Experience:
Appeared in The Sun 14/02/2007
Glamour Magazine may 2007 issue
Cosmopolitan 2008
Woman's Magazine issue 37 2007
PRIDE Magazine 2008
Fabulous Magazine 2008
and local newspapers
Luckily, John, the last person to apply for Paul stated in their profile that they are comfortable doing accents and were up for trying new things. So I asked him if he would be interested in doing an Eastern European accent for Joseph and he agreed. John is also very experienced with work in short films, independent features, and theater.
John (Joseph)
John's Experience
Short Films:
TMR The Trailer - TMR Entertainment - Directed by John J Steemson (2005)
Until Today as Jeremy Anderson - Freestyle Media - Directed by John J Steemson(2005)
Until Today 2 as Michael Anderson - Freestyle Media - Directed by John J Steemson(2006)
LOST Parody - NNC Media - Directed by Joe Abbott (2007)
La Theif - NNC Media - Directed by Arron Baxter and Jonothan Moore (2007)
Fee Fie Foe Fum as Neil - Cheese on Bread Film - Directed by Akwasi Brenya-Mensa(2008)
Faternity as Russian Villian - Freestyle Media - Directed by Peter Goodlad (2008)
Independent Features:
M8S as Jason Edwards - Freestyle Media - Directed by John J Steemson(2006)
M8S Summer Vacation as Jason Edwards - Freestyle Media - Directed by John J Steemson(2007)
M8S3 as Jason Graham - Freestyle Media - Directed by John J Steemson(2008)
M8S & The Forgotten Treasure as Jason Graham - Freestyle Media - Directed by John J Steemson (Currently In Production)
Stage:
Oliver! as Bill Sykes - Heritage Productions - Directed by Julie Palmer (2005)
TWO as Moth - Chesterfield College Productions - Directed by Anna Farrel (2006)
Fish out of Water as Mario Marcello - Lindrick Players - Directed by Pat Shepperd (2008)
Aladdin (Pantomine) as Abanazar - Lindrick Players - Directed by Helen Morrison (2009)
Over my Dead Body - Lindrick Players - Directed by Pat Thomas (2009)
Robinson Crusoe (Pantomine) - Lindrick Players - Directed by John J Steemson (In Production)
Sweeney Todd as Judge Turpin - Mansfield Palace Theatre - Directed by TBA (2009)
Dennix (Paul)
Dennix's Experience
Acting experience:
Music videos
Booty Luv 'Dont Mess With My Men'2007
NOKIA advert june 2008
MR Eleven 2008
Goal 3 to be released in 2008
Iphone campaign ad 2007
DOCTORS nov 2007
PC world advert feb 2008
Doctors role march 2008
Doctors may 2008
Shameless 11/june/2008
Nokia advert june 2008
Football Association coperate vedio july 2008
Jonathan's Creek 22 july 2008
Holby City january 2009
Television Experience:
Bulls Eye TV 2007
Legal TV 2006
Channel 4 "You Are What You Eat" 2007
Music Experience:
Rnb and hiphop manager producer.
Wrote and produced a song for BBC children in need 2005 shown on BBC1
Remixed shane wards new song 'if thats ok with you 2007'
Dancing Experience:
Hip hop ragga and niche styles.
Photography Experience:
Pro photographer works for XXLmedia.co.uk
Magazine Experience:
Appeared in The Sun 14/02/2007
Glamour Magazine may 2007 issue
Cosmopolitan 2008
Woman's Magazine issue 37 2007
PRIDE Magazine 2008
Fabulous Magazine 2008
and local newspapers
Luckily, John, the last person to apply for Paul stated in their profile that they are comfortable doing accents and were up for trying new things. So I asked him if he would be interested in doing an Eastern European accent for Joseph and he agreed. John is also very experienced with work in short films, independent features, and theater.
John (Joseph)
John's Experience
Short Films:
TMR The Trailer - TMR Entertainment - Directed by John J Steemson (2005)
Until Today as Jeremy Anderson - Freestyle Media - Directed by John J Steemson(2005)
Until Today 2 as Michael Anderson - Freestyle Media - Directed by John J Steemson(2006)
LOST Parody - NNC Media - Directed by Joe Abbott (2007)
La Theif - NNC Media - Directed by Arron Baxter and Jonothan Moore (2007)
Fee Fie Foe Fum as Neil - Cheese on Bread Film - Directed by Akwasi Brenya-Mensa(2008)
Faternity as Russian Villian - Freestyle Media - Directed by Peter Goodlad (2008)
Independent Features:
M8S as Jason Edwards - Freestyle Media - Directed by John J Steemson(2006)
M8S Summer Vacation as Jason Edwards - Freestyle Media - Directed by John J Steemson(2007)
M8S3 as Jason Graham - Freestyle Media - Directed by John J Steemson(2008)
M8S & The Forgotten Treasure as Jason Graham - Freestyle Media - Directed by John J Steemson (Currently In Production)
Stage:
Oliver! as Bill Sykes - Heritage Productions - Directed by Julie Palmer (2005)
TWO as Moth - Chesterfield College Productions - Directed by Anna Farrel (2006)
Fish out of Water as Mario Marcello - Lindrick Players - Directed by Pat Shepperd (2008)
Aladdin (Pantomine) as Abanazar - Lindrick Players - Directed by Helen Morrison (2009)
Over my Dead Body - Lindrick Players - Directed by Pat Thomas (2009)
Robinson Crusoe (Pantomine) - Lindrick Players - Directed by John J Steemson (In Production)
Sweeney Todd as Judge Turpin - Mansfield Palace Theatre - Directed by TBA (2009)
Foreign Streets Script - Final Draft
Below is the latest copy of the script for "Foreign Streets". I made a few changes after considering some of the feedback I had received from Chris Cook and Makaya. Chris Cook is a director and Makaya is an actress who actively work in Nottingham. My initial script had some holes in it such as how Paul actually got the money and also how Paul ends up in the courtyard and can't make it into his house. I did have some explanations for these things but for the sake of time, I decided to change the story around a bit. Basically, Joseph now finds Paul next to a path after falling asleep on a bench while drinking vodka.
Also, the actual depth of the connection between the two characters needed to be developed. To do this, I have made more instances where Paul and Joseph see eachother before they actually meet. Also, I have tried to strengthen the narrative by really trying to get across that Paul is seriously considering his life. Also, to give more of a reason why Paul is pushed over the edge to leave his life in Nottingham, I've tried to show that Joseph reminds Paul of his brother.
"Foreign Streets"
Scene 1
EXT – GRAVEYARD 1 – MORNING
Joseph walks along a path through a graveyard. He reaches his parents’ tombstones, kneels, and begins speaking.
JOSEPH
Last year when they came and you told me to run, I ran.. I ran so far. I’m sorry I could not make it back until now but it’s been so hard.
Joseph reaches into his pocket and pulls out a gold necklace with a medallion. He holds it up and looks at it as it dangles from his fingers.
JOSEPH
All I found was Mother’s necklace. I will give it to my daughter after I make a life in England. Father you have taught me true strength and that is the only reason I am here today. I will not let you down…
Joseph kisses the necklace and places it back in his pocket.
JOSEPH
I love you.
Camera dips to black.
Scene 2
EXT – GRAVEYARD – NOTTINGHAM - MORNING
Paul walks along a path through a graveyard. He reaches his brother’s tombstone, kneels, and begins speaking.
PAUL
Johnny, bruv I feel so messed up about what happened. When you went to the hospital I just played it cool and kept telling you it would be ok…
Paul takes out a silver necklace with a cross medallion, holds it in his palm, and looks at it.
PAUL
I’m sorry I was wrong. Things have been so different since you’ve been gone. Nothing feels the same. I just don’t know what to do..
Paul clenches the cross in his fist, holds it to his chest, and bows his head.
PAUL
I love you.
Camera dips to black.
Scene 3
EXT. NOTTINGHAM – CITY CENTER – DAY
Joseph steps off of a train at Nottingham train station carrying a large duffel bag.
As he walks through the busy streets he is bumped by a passerby and drops his bag.
He walks past a shop with a “room for let” sign. He notices the sign and walks up to them to get a closer look.
After reading the sign he writes down the address of the location.
Joseph walks through the streets and arrives at a house. Next door to the house there are two people outside speaking and smoking cigarettes, Paul and a local hood.
Scene 4
INT – JOSEPH’S ROOM – EVENING
A door opens and Joseph is standing in the doorway with his bag. He turns on the light, steps into the room, and drops his bag.
Joseph walks over to the bed, sits down, and takes out a picture of his parents from his bag.
JOSEPH
Mother, Father… I made it. Almost everything I saved is gone but Nottingham is a big city. It is another way of life here but I have a good feeling.
Joseph smiles at the picture, places it on the night stand and turns off the light.
Scene 5
INT. NOTTINGHAM – PAUL’S BATHROOM – NIGHT
Paul is catching water in his hands. He leans over the sink, splashes the water on his face, and looks up at himself in the mirror.
He walks over to the towel rack, dries off his face and walks back to the mirror. He pulls his hood over his head and exits.
Paul walks to his front door. With his hand on the doorknob, he looks to the left at a photograph of his brother smiling on the wall. He turns the handle and walks out.
Camera dips to black.
Scene 6
EXT. NOTTINGHAM STREETS – NIGHT
Paul walks up to a group of hoods and they exchange greetings. The group is drinking, smoking, and selling drugs while Paul is on the side in thought.
After a few hours Paul gets up and leaves.
Back at his house, Paul is lying in bed with his hood still up. He has his hands on his chest and a the picture of his brother underneath them.. his eyes wide open, staring at the ceiling.
Camera dips to black.
Scene 7
INT – PAUL’S ROOM – MORNING
Paul is lying in bed and is woken up by yelling.
LANDLORD (voice)
HEY! HEY! Don’t you walk away!
Paul sits up and looks out of his window. He sees Joseph walking away from the house next door.
LANDLORD (voice)
If you don’t have my rent by next week I’m going to kick you out! You hear me!
Scene 8
EXT – NOTTINGHAM SHOPS AND STREETS - DAY
Joseph is walking in and out of shops and green grocers. He is asking people for work. Some shake their heads; some point him in another direction.
As he is walking home he takes out his mother’s necklace and looks down at it.
JOSEPH
Mother, I’m so lost. It’s just so difficult and I have no one to understand me…
Joseph walks by Paul and his crew who are standing and sitting at a bench, holding the necklace.
HOOD 1
Yo blad check out this fool.
Hood 1 taps Paul and nods towards Joseph. He rises off the bench and walks up behind Joseph.
HOOD 1
That’s a nice necklace kid. I think my girl would like that a lot.
The hood knocks Joseph to the ground and punches him several times in the face. After this he rips the necklace from Joseph’s hands and holds it up in the air smiling at Paul and the crew.
Camera cuts to flashback
INT – PAUL’S HOUSE – DAY
Paul walks into a room and sees Johnny studying wearing a silver chain.
JOHNNY
Yo, Paul did you know that this kind of jellyfish is one of the most deadly animals in the world?
Camera cuts to present day.
Paul gets up and walks away.
Camera dips to black
Scene 9
INT – PAUL’S ROOM – DAY
Paul is looking out the window. He sees Joseph returning. He walks over to the wall and places his ear against it. He hears Joseph crying and looks down at the floor.
Camera fades to black.
Scene 10
INT – PAUL’S ROOM – NIGHT
Paul is sitting on his bed smoking a cigarette and listening to music. His phone rings.
PAUL (On the phone)
Hello. What? They’re makin’ the move tonight? Yea, Yea. I’m on my way.
Paul puts out his cigarette, pulls up his hood, picks up a backpack, and exits.
Camera fades to black.
Scene 11
EXT – FORREST FIELDS – NIGHT
Joseph is sitting on a bench holding his mother’s necklace. He picks up a bottle of vodka and takes a drink then he looks up to the moon and begins speaking.
JOSEPH
Every day I imagine what it would be like if I stayed with you. Sometimes I wish I hadn’t left…
Joseph takes another sip of the vodka.
JOSEPH
It seems so hopeless. What do I have? Where is my destiny?
Joseph pours some vodka onto the ground.
JOSEPH
Here’s to you Mother… Father…
His head sways and falls onto his chest. He drops the bottle of vodka on the ground and falls asleep.
Camera cuts to dream.
EXT – NOTTINGHAM STREETS – NIGHT
Joseph sees people fighting. He sees the flash of a knife and hears yelling. He wakes up startled and looks down at the bottle of vodka. He gets up and starts walking down the path.
As Joseph is walking home he notices a figure lying on the ground. He stops. The figure shifts slightly.
JOSEPH
Are you ok?
He moves closer to the figure and recognizes Paul.
JOSEPH
Hey, do you need some help?
Paul groans.
JOSEPH
Your bleeding… Can you walk?
Paul tries to stand up and groans in pain.
JOSEPH
Easy now, be careful…
Joseph helps Paul stand up.
JOSEPH
I know you. I am your neighbor. I can help you home and we can get you seen to.
PAUL
Go away. I can’t go home and I don’t need no lookin’ at. I just need to get out of here.
Paul looks at his watch and begins to limp away.
JOSEPH
Look at you. You are in no state to be going anywhere.
PAUL
Leave me alone kid, there’s gonna be people looking for me. It’s not safe for you.
JOSEPH
Quick then, lets go back together.
Paul looks at Joseph with uncertainty.
JOSEPH
When you are being chased and you go where you are known it is always more dangerous. You will be safe hiding at mine.
Paul nods and moves towards Joseph. Joseph walks over to Paul and helps him walk.
JOSEPH
My name’s Joseph.
PAUL
I’m Paul… Come on, I know some back roads we can take
Camera dips to black.
Scene 12
INT – JOSEPH’S ROOM – NIGHT
Paul is tying a bandana around his arm. Blood drips down.
Joseph walks in holding a tray with tea and biscuits.
PAUL
So, what are you doing here Joseph?
JOSEPH
You see, my parents died about a year ago. My father owned a farm and his dream was always to come to America and open a market… I came here hoping to find work and eventually open my own market just like he dreamed. So far it doesn’t look good.
Joseph hands Paul a cup of tea.
PAUL
Thanks
JOSEPH
How about you Paul, what do you do here in Nottingham?
PAUL
Things that I’ve been doing for way too long. My parents were smack heads and left me and my little brother, Johnny, when we were young. We grew up with our grandmother down the road. So now I do what I can to pay rent and keep eatin’.
JOSEPH
Where is your brother now?
PAUL
He passed away last year… leukemia.
JOSEPH
What’s that?
PAUL
To tell you the truth, I don’t really know. All I know is that it took the last real thing I had in my life.
JOSEPH
I’m so sorry…
PAUL
I’ve always thought of leaving Nottingham though.
JOSEPH
Really? Leave and go where?
PAUL
The Bahamas… become a scuba diving instructor…
JOSEPH
Oh? why that?
PAUL
My little brother, it was kind of his dream…
JOSEPH
So what’s stopping you?
A car pulls up outside of Paul’s house. Two people in hoods get out and go over to the house.
PAUL
Shit! I knew they’d find me! Turn off the light!
Joseph runs over and turns off the bedroom light.
Paul and Joseph hear glass shatter followed by banging around in Paul’s house.
PAUL
You see Joseph, when you grow up in a rough place, there are always people trying to take advantage of you… Sometimes you get forced into things that you don’t really want to be in… things where there are no ways out…
Joseph lights a candle with a match.
JOSEPH
That is what I thought too Paul… however, I’ve realized that you must create life, do not let it create you, or else it will destroy you.
Camera dips to black.
Scene 13
INT. NOTTINGHAM – JOSEPH’S ROOM – MORNING
Joseph is laying on a cot on the floor and begins to wake up. He looks around for Paul. The sun gleams on a note left on the bed, as Joseph opens it, money begins to fall out. Joseph opens it fully and starts to read the note out loud.
“Joseph, This is the reason why those guys were after me last night. I could never thank you enough for your kind words and for saving me. I’m sorry that you got involved. No one else would have done that for me and I’m never going to let it happen again. I’m going straight to the Bahamas with the other half of the money. I hope this holds you over while you make a name for yourself. I’ll send you a postcard…
Paul”
(Roll Credits)
Also, the actual depth of the connection between the two characters needed to be developed. To do this, I have made more instances where Paul and Joseph see eachother before they actually meet. Also, I have tried to strengthen the narrative by really trying to get across that Paul is seriously considering his life. Also, to give more of a reason why Paul is pushed over the edge to leave his life in Nottingham, I've tried to show that Joseph reminds Paul of his brother.
"Foreign Streets"
Scene 1
EXT – GRAVEYARD 1 – MORNING
Joseph walks along a path through a graveyard. He reaches his parents’ tombstones, kneels, and begins speaking.
JOSEPH
Last year when they came and you told me to run, I ran.. I ran so far. I’m sorry I could not make it back until now but it’s been so hard.
Joseph reaches into his pocket and pulls out a gold necklace with a medallion. He holds it up and looks at it as it dangles from his fingers.
JOSEPH
All I found was Mother’s necklace. I will give it to my daughter after I make a life in England. Father you have taught me true strength and that is the only reason I am here today. I will not let you down…
Joseph kisses the necklace and places it back in his pocket.
JOSEPH
I love you.
Camera dips to black.
Scene 2
EXT – GRAVEYARD – NOTTINGHAM - MORNING
Paul walks along a path through a graveyard. He reaches his brother’s tombstone, kneels, and begins speaking.
PAUL
Johnny, bruv I feel so messed up about what happened. When you went to the hospital I just played it cool and kept telling you it would be ok…
Paul takes out a silver necklace with a cross medallion, holds it in his palm, and looks at it.
PAUL
I’m sorry I was wrong. Things have been so different since you’ve been gone. Nothing feels the same. I just don’t know what to do..
Paul clenches the cross in his fist, holds it to his chest, and bows his head.
PAUL
I love you.
Camera dips to black.
Scene 3
EXT. NOTTINGHAM – CITY CENTER – DAY
Joseph steps off of a train at Nottingham train station carrying a large duffel bag.
As he walks through the busy streets he is bumped by a passerby and drops his bag.
He walks past a shop with a “room for let” sign. He notices the sign and walks up to them to get a closer look.
After reading the sign he writes down the address of the location.
Joseph walks through the streets and arrives at a house. Next door to the house there are two people outside speaking and smoking cigarettes, Paul and a local hood.
Scene 4
INT – JOSEPH’S ROOM – EVENING
A door opens and Joseph is standing in the doorway with his bag. He turns on the light, steps into the room, and drops his bag.
Joseph walks over to the bed, sits down, and takes out a picture of his parents from his bag.
JOSEPH
Mother, Father… I made it. Almost everything I saved is gone but Nottingham is a big city. It is another way of life here but I have a good feeling.
Joseph smiles at the picture, places it on the night stand and turns off the light.
Scene 5
INT. NOTTINGHAM – PAUL’S BATHROOM – NIGHT
Paul is catching water in his hands. He leans over the sink, splashes the water on his face, and looks up at himself in the mirror.
He walks over to the towel rack, dries off his face and walks back to the mirror. He pulls his hood over his head and exits.
Paul walks to his front door. With his hand on the doorknob, he looks to the left at a photograph of his brother smiling on the wall. He turns the handle and walks out.
Camera dips to black.
Scene 6
EXT. NOTTINGHAM STREETS – NIGHT
Paul walks up to a group of hoods and they exchange greetings. The group is drinking, smoking, and selling drugs while Paul is on the side in thought.
After a few hours Paul gets up and leaves.
Back at his house, Paul is lying in bed with his hood still up. He has his hands on his chest and a the picture of his brother underneath them.. his eyes wide open, staring at the ceiling.
Camera dips to black.
Scene 7
INT – PAUL’S ROOM – MORNING
Paul is lying in bed and is woken up by yelling.
LANDLORD (voice)
HEY! HEY! Don’t you walk away!
Paul sits up and looks out of his window. He sees Joseph walking away from the house next door.
LANDLORD (voice)
If you don’t have my rent by next week I’m going to kick you out! You hear me!
Scene 8
EXT – NOTTINGHAM SHOPS AND STREETS - DAY
Joseph is walking in and out of shops and green grocers. He is asking people for work. Some shake their heads; some point him in another direction.
As he is walking home he takes out his mother’s necklace and looks down at it.
JOSEPH
Mother, I’m so lost. It’s just so difficult and I have no one to understand me…
Joseph walks by Paul and his crew who are standing and sitting at a bench, holding the necklace.
HOOD 1
Yo blad check out this fool.
Hood 1 taps Paul and nods towards Joseph. He rises off the bench and walks up behind Joseph.
HOOD 1
That’s a nice necklace kid. I think my girl would like that a lot.
The hood knocks Joseph to the ground and punches him several times in the face. After this he rips the necklace from Joseph’s hands and holds it up in the air smiling at Paul and the crew.
Camera cuts to flashback
INT – PAUL’S HOUSE – DAY
Paul walks into a room and sees Johnny studying wearing a silver chain.
JOHNNY
Yo, Paul did you know that this kind of jellyfish is one of the most deadly animals in the world?
Camera cuts to present day.
Paul gets up and walks away.
Camera dips to black
Scene 9
INT – PAUL’S ROOM – DAY
Paul is looking out the window. He sees Joseph returning. He walks over to the wall and places his ear against it. He hears Joseph crying and looks down at the floor.
Camera fades to black.
Scene 10
INT – PAUL’S ROOM – NIGHT
Paul is sitting on his bed smoking a cigarette and listening to music. His phone rings.
PAUL (On the phone)
Hello. What? They’re makin’ the move tonight? Yea, Yea. I’m on my way.
Paul puts out his cigarette, pulls up his hood, picks up a backpack, and exits.
Camera fades to black.
Scene 11
EXT – FORREST FIELDS – NIGHT
Joseph is sitting on a bench holding his mother’s necklace. He picks up a bottle of vodka and takes a drink then he looks up to the moon and begins speaking.
JOSEPH
Every day I imagine what it would be like if I stayed with you. Sometimes I wish I hadn’t left…
Joseph takes another sip of the vodka.
JOSEPH
It seems so hopeless. What do I have? Where is my destiny?
Joseph pours some vodka onto the ground.
JOSEPH
Here’s to you Mother… Father…
His head sways and falls onto his chest. He drops the bottle of vodka on the ground and falls asleep.
Camera cuts to dream.
EXT – NOTTINGHAM STREETS – NIGHT
Joseph sees people fighting. He sees the flash of a knife and hears yelling. He wakes up startled and looks down at the bottle of vodka. He gets up and starts walking down the path.
As Joseph is walking home he notices a figure lying on the ground. He stops. The figure shifts slightly.
JOSEPH
Are you ok?
He moves closer to the figure and recognizes Paul.
JOSEPH
Hey, do you need some help?
Paul groans.
JOSEPH
Your bleeding… Can you walk?
Paul tries to stand up and groans in pain.
JOSEPH
Easy now, be careful…
Joseph helps Paul stand up.
JOSEPH
I know you. I am your neighbor. I can help you home and we can get you seen to.
PAUL
Go away. I can’t go home and I don’t need no lookin’ at. I just need to get out of here.
Paul looks at his watch and begins to limp away.
JOSEPH
Look at you. You are in no state to be going anywhere.
PAUL
Leave me alone kid, there’s gonna be people looking for me. It’s not safe for you.
JOSEPH
Quick then, lets go back together.
Paul looks at Joseph with uncertainty.
JOSEPH
When you are being chased and you go where you are known it is always more dangerous. You will be safe hiding at mine.
Paul nods and moves towards Joseph. Joseph walks over to Paul and helps him walk.
JOSEPH
My name’s Joseph.
PAUL
I’m Paul… Come on, I know some back roads we can take
Camera dips to black.
Scene 12
INT – JOSEPH’S ROOM – NIGHT
Paul is tying a bandana around his arm. Blood drips down.
Joseph walks in holding a tray with tea and biscuits.
PAUL
So, what are you doing here Joseph?
JOSEPH
You see, my parents died about a year ago. My father owned a farm and his dream was always to come to America and open a market… I came here hoping to find work and eventually open my own market just like he dreamed. So far it doesn’t look good.
Joseph hands Paul a cup of tea.
PAUL
Thanks
JOSEPH
How about you Paul, what do you do here in Nottingham?
PAUL
Things that I’ve been doing for way too long. My parents were smack heads and left me and my little brother, Johnny, when we were young. We grew up with our grandmother down the road. So now I do what I can to pay rent and keep eatin’.
JOSEPH
Where is your brother now?
PAUL
He passed away last year… leukemia.
JOSEPH
What’s that?
PAUL
To tell you the truth, I don’t really know. All I know is that it took the last real thing I had in my life.
JOSEPH
I’m so sorry…
PAUL
I’ve always thought of leaving Nottingham though.
JOSEPH
Really? Leave and go where?
PAUL
The Bahamas… become a scuba diving instructor…
JOSEPH
Oh? why that?
PAUL
My little brother, it was kind of his dream…
JOSEPH
So what’s stopping you?
A car pulls up outside of Paul’s house. Two people in hoods get out and go over to the house.
PAUL
Shit! I knew they’d find me! Turn off the light!
Joseph runs over and turns off the bedroom light.
Paul and Joseph hear glass shatter followed by banging around in Paul’s house.
PAUL
You see Joseph, when you grow up in a rough place, there are always people trying to take advantage of you… Sometimes you get forced into things that you don’t really want to be in… things where there are no ways out…
Joseph lights a candle with a match.
JOSEPH
That is what I thought too Paul… however, I’ve realized that you must create life, do not let it create you, or else it will destroy you.
Camera dips to black.
Scene 13
INT. NOTTINGHAM – JOSEPH’S ROOM – MORNING
Joseph is laying on a cot on the floor and begins to wake up. He looks around for Paul. The sun gleams on a note left on the bed, as Joseph opens it, money begins to fall out. Joseph opens it fully and starts to read the note out loud.
“Joseph, This is the reason why those guys were after me last night. I could never thank you enough for your kind words and for saving me. I’m sorry that you got involved. No one else would have done that for me and I’m never going to let it happen again. I’m going straight to the Bahamas with the other half of the money. I hope this holds you over while you make a name for yourself. I’ll send you a postcard…
Paul”
(Roll Credits)
Saturday, 21 February 2009
Foreign Streets Research
One of the major problems in the UK at the moment is knife crime. According to an article by the Independent (See below), there are 14,000 knife crimes a year in Britain. I heard on "Police Interceptors" on channel Five the other day that said there is a knife crime committed every 24 minutes in Britain. I want to make a film that represents the zeitgeist of my generation and these facts inspired me to include this theme. This theme will be conveyed through Paul, the "bad boy" main character.
http://www.independent.co.uk/news/uk/crime/14000-knife-victims-a-year-860857.html
Another major issue in the UK at the moment is the credit crunch and the influx of foreign workers. The results of a questionaire conducted by the BBC showed that out of 135 Polish participants, only 8 regretted coming to Britain (See below). In my film, I want to show the contrast of these two cultures. This theme will be expressed through the other main character, Joseph.
http://news.bbc.co.uk/1/hi/uk/5343504.stm
http://www.independent.co.uk/news/uk/crime/14000-knife-victims-a-year-860857.html
Another major issue in the UK at the moment is the credit crunch and the influx of foreign workers. The results of a questionaire conducted by the BBC showed that out of 135 Polish participants, only 8 regretted coming to Britain (See below). In my film, I want to show the contrast of these two cultures. This theme will be expressed through the other main character, Joseph.
http://news.bbc.co.uk/1/hi/uk/5343504.stm
Foreign Streets Inspiration
"Kids" Trailer
This film inspired me in the way that Lenny Clark brought out the realistic side of New York youth. I like the fact that it somewhat lacks plot because it is much more like a "day in the life" story and feels very personal. I also liked the fact that much of it seems improvised. I think the actors play the roles perfectly and that there was a strong message sent. I would like to emulate the gritty nature of this film. What I would like to do different, however, is to make it more minimal and show two opposite characters who's lives collide.
This film inspired me in the way that Lenny Clark brought out the realistic side of New York youth. I like the fact that it somewhat lacks plot because it is much more like a "day in the life" story and feels very personal. I also liked the fact that much of it seems improvised. I think the actors play the roles perfectly and that there was a strong message sent. I would like to emulate the gritty nature of this film. What I would like to do different, however, is to make it more minimal and show two opposite characters who's lives collide.
Monday, 9 February 2009
Script
Here is the first draft of my script:
Foreign Streets
Script: First Draft
Characters:
Young Immigrant: Joseph (18)
Gangster: Paul (25)
Landlord: Margaret (60)
Scene 1 - Joe
ZOOM IN:
EXT. (AS OF YET UNSPECEFIED COUNTRY) - GRAVESITE - MORNING
At his parents’ tombstones, Joe is kneeling and speaking.
The sun is shining down on Joe. (A violin plays in the background)
The camera slowly gets closer to Joe and the music fades out as the audience begins to hear what he is saying.
JOE
Last year when they came and you told me to run, I ran.. I ran so far.
Camera cuts to flashback of Joe running through the woods.
JOE
I’m sorry I could not make it back until now but it’s been so hard.
Camera cuts to a flashback of Joe in a blanket begging on the streets.
Joe takes out a necklace from his jacket pocket and hangs it by his fingers and looks at it up at it.
JOE
All I found was Mother’s necklace.. I will give it…
…to my daughter after I make a life in England. Father you have taught me true strength and that is the only reason I am here today. I will not let you down..
Joe kisses the necklace and places it back in his pocket.
Camera dips to black.
(Scene 1 Ends)
Scene 2 - Paul
ZOOM IN:
EXT. NOTTINGHAM – GRAVESITE – MORNING
At his little brother’s tombstone, Paul is kneeling and speaking.
The sun is also shining down on Paul. (A violin plays in the background)
The camera slowly gets closer to Paul and the music fades out as the audience begins to hear what he is saying.
PAUL
Johnnie, I hate myself for what happened.
Camera cuts to flash back: Paul walks out of his front door and sees a car with someone holding a gun out the window, the car takes off and the gun fires several times.
Paul jumps out of the way and reveals his little brother standing behind him in the doorway.
Paul
I’m going to leave this place one day.. follow our dream..
Camera cuts to flashback of his little brother asking if they could go scuba diving in the Bahamas.
Paul
You got it bro.
Camera dips to black.
(Scene 2 Ends)
Scene 3 – The Room
FADE IN:
EXT. NOTTINGHAM – CITY CENTER – DAY
Joe is walking with a large bag, looking for a room to rent.
The weather is overcast and the city is busy. (Fast-paced music in the background)
Joe dodges traffic and gets bumped into by people.
Camera cuts to various shots of him walking in and out of buildings, coming out without luck.
Camera dips to black
As Joe walks up to the next house. Paul looks out of his window and sees Joe walking up to his neighbor’s door holding a newspaper. Joe looks over and sees Paul looking at him through the window. Joe knocks…
MARGARET
Hello, who is it?
Joe
Hi, I’ve come to look at the room you posted for let in the newspaper.
MARGARET
Oh, come on in. Would you like a cup of tea?
Camera dips to black.
Margaret is showing Joe a room.
MARGARET
You know, to be honest, it is lucky for me that you are having such bad luck Joe. I Haven’t been able to get anyone to take this room.. I put the price so low because I know it’s not a nice neighborhood, and one must be ever so cautious. The last time someone even came to look at the room was about a year ago..
Joe
I’ll take it, thank you.
Camera dips to black.
Joe looks around the room and then out the window at the sunset. He then lies down and closes his eyes. (Somber music in the background)
Camera dips to black.
(Scene 3 Ends)
Scene 4 – The Streets
FADE IN:
INT. NOTTINGHAM – PAULS HOUSE – NIGHT
Paul is looking at himself in the mirror. (Somber music in the background)
He pulls his hood over his head and walks out of the bathroom.
Paul walks to his front door. With his hand on the doorknob, he looks to the left at a photograph of his brother smiling on the wall. He turns the handle and walks out. Joe is taking out the trash when Paul walks out and they exchange a prolonged awkward glance at each other.
Camera cuts to various quick shots of Paul hanging out with a gang, drinking, smoking cigarettes and robbing people. (Aggressive music in the background)
Camera dips to black
Paul is lying in bed with his hood still up. He has his hands on his chest and a the picture of his brother underneath them.. his eyes wide open, staring at the ceiling.
Camera fades to black
(Scene 4 Ends)
Scene 5 - The Loss
FADE IN:
EXT. NOTTINGHAM – VARIOUS SHOPS/JOB AGENCIES – DAY
Joe is asking various people for work and walking in and out of markets, stores, and job agencies.
As he comes out of the last place, he walks though an alleyway and is attacked by three people in hoods. As this is happening, Paul goes to walk into the alleyway and sees one of the attackers steal Joe’s mother’s necklace while the other two kick him on the floor.
The attacker looks up at Paul and nods. Paul nods back and walks the other way.
Paul turns and walks the other way.
Camera dips to black
(Scene 5 Ends)
Scene 6 – The Call
INT. NOTTINGHAM – PAUL’S ROOM – DAY
Paul is smoking a cigarette and listening to music. He looks out of his window, and sees Joe returning. He is limping and holding his face. Paul hears the door slam and Joe enter his room. He walks over to the other wall, puts his head against the wall and can hear Joe crying.
His phone rings…
PAUL
What do you want?… I told I would be there at 11 and it’s not even half nine yet… Whatever man I’ll be there…. Safe.
Camera dips to black
Paul is getting ready to go out.
He hurriedly puts on his hoody, grabs his backpack off a chair, and walks out the door. (Ominous music in the background)
(Scene 6 Ends)
Scene 7 – The Rescue
INT. – NOTTINGHAM - JOE’S ROOM - NIGHT
Joe climbs out of bed and walks out of the room.
He walks down the stairs and into the kitchen.
As he is filling a glass with water he looks out the window above the sink that looks over a courtyard behind his house. He sees a shape and when it moves slightly he goes to inspect. He slowly opens the door to the courtyard and walks cautiously over to the figure. As he gets nearer, he can see a Paul lying on the ground…
JOE
Hey are you ok?… What’s happened?… Sir your bleeding…
PAUL
Please…
JOE
Yes, let me help, do you have a phone to call an ambulance?
Paul groans in pain.
JOE
I’ll be right back.
PAUL
No… Please go away… they’re coming… stay inside!
JOE
What? Who? Who’s coming? Why would whoever did this come back?
PAUL
GO!
Joe hears shouting nearby.
JOE
Come on…
Joe helps Paul up assists him in waking to the door.
When they get inside Joe lays Paul on the floor and crouches down. He looks up over the widow and sees two large men and quickly ducks back down.
Camera dips to black
(Scene 7 Ends)
Scene 8 – The Talk
INT. NOTTINGHAM - JOSEPH’S ROOM - NIGHT
A couple candles light the room.
Joseph is sitting on the floor reading a book. Paul is on the bed and begins to wake up.
Joseph puts the book down, grabs a glass of water, and gets up. He walks over to the bed and leans over Paul.
JOSEPH
Are you alright? You’ve been unconscious for a few hours. Here is some water.
Paul looks at Joseph confused.
PAUL
Where am I?… Who are you?…
JOSEPH
Don’t worry, my name is Joseph and you are in my room I brought you in from out back. You’re safe…
Paul goes to sit up but groans in pain.
JOSEPH
No, no, please stay laying down. You need to get to a hospital… I didn’t have a phone to call an ambulance and I couldn’t take you because the people who were after you stayed and broke into next door… I thought they were just looking for you but they only left about an hour ago…
JOSEPH
I think you will be fine, I tied cloth around some of your cuts to stop the bleeding. If you don’t mind me asking, what happened to you?
PAUL
I don’t want to speak about it kid.
JOSEPH
Ok, that’s fine, let me make you some tea…
Camera dips to black
Joseph returns with a cup of tea and some biscuits.
JOSEPH
Here you are, please help yourself to as many as you like…
Paul looks up at Joseph, then takes a sip of tea.
PAUL
No thanks… umm…
JOSEPH
Joseph, my name’s Joseph… Pleased to meet you, however unfortunate under these circumstances…
PAUL
Yeah… Why are you here Joseph?
JOSEPH
Well, you see my parents died when I was 17. My father left me the land and a small inheritance. With that I bought a seat on a small ship.
I arrived two days ago and took a bus to Nottingham to find work…
PAUL
How are you finding it?
JOSEPH
Quite hard… it’s not what I expected… How bout you? What do you think of Nottingham?
PAUL
See me, I’ve only lived down the street and next door. I used to love it, there was a big energy to it… Now, I just want to leave.
JOSEPH
Leave and go where?
PAUL
The Bahamas… become a scuba diving instructor…
JOSEPH
Oh? why that?
PAUL
My little brother, it was his dream…
JOSEPH
Where is he now?
PAUL
Dead for the same reason you see me here tonight…
JOSEPH
What reason is that?
Paul sighs loudly.
PAUL
You see Joseph, when you grow up in a rough place, there are always people trying to take advantage of you… Sometimes you get forced into things that you don’t really want to be in… things where there are no ways out… things that end up hurting other people… innocent people.
JOSEPH
That is what I thought too Paul… however, I’ve realized that you must create life, do not let it create you, or else it will destroy you.
Camera dips to black.
(Scene 8 Ends)
Scene 9 – The Note
INT. NOTTINGHAM – JOSEPH’S ROOM – MORNING
The window is open and the sun in shining brightly though. Joseph is laying on a cot on the floor and begins to wake up. He looks around for Paul. The sun gleams on a note left on the bed, as Joseph opens it, money begins to fall out. Joseph opens it fully and starts to read the note out loud.
“Joseph, This is the reason why those guys were after me last night. I could never thank you enough for your kind words and for saving me. I’m sorry that you got involved. No one else would have done that for me and I’m never going to let it happen again. I’m going straight to the Bahamas with the other half of the money. I hope this holds you over while you make a name for yourself. I’ll send you a postcard…
Paul”
(Roll Credits)
Foreign Streets
Script: First Draft
Characters:
Young Immigrant: Joseph (18)
Gangster: Paul (25)
Landlord: Margaret (60)
Scene 1 - Joe
ZOOM IN:
EXT. (AS OF YET UNSPECEFIED COUNTRY) - GRAVESITE - MORNING
At his parents’ tombstones, Joe is kneeling and speaking.
The sun is shining down on Joe. (A violin plays in the background)
The camera slowly gets closer to Joe and the music fades out as the audience begins to hear what he is saying.
JOE
Last year when they came and you told me to run, I ran.. I ran so far.
Camera cuts to flashback of Joe running through the woods.
JOE
I’m sorry I could not make it back until now but it’s been so hard.
Camera cuts to a flashback of Joe in a blanket begging on the streets.
Joe takes out a necklace from his jacket pocket and hangs it by his fingers and looks at it up at it.
JOE
All I found was Mother’s necklace.. I will give it…
…to my daughter after I make a life in England. Father you have taught me true strength and that is the only reason I am here today. I will not let you down..
Joe kisses the necklace and places it back in his pocket.
Camera dips to black.
(Scene 1 Ends)
Scene 2 - Paul
ZOOM IN:
EXT. NOTTINGHAM – GRAVESITE – MORNING
At his little brother’s tombstone, Paul is kneeling and speaking.
The sun is also shining down on Paul. (A violin plays in the background)
The camera slowly gets closer to Paul and the music fades out as the audience begins to hear what he is saying.
PAUL
Johnnie, I hate myself for what happened.
Camera cuts to flash back: Paul walks out of his front door and sees a car with someone holding a gun out the window, the car takes off and the gun fires several times.
Paul jumps out of the way and reveals his little brother standing behind him in the doorway.
Paul
I’m going to leave this place one day.. follow our dream..
Camera cuts to flashback of his little brother asking if they could go scuba diving in the Bahamas.
Paul
You got it bro.
Camera dips to black.
(Scene 2 Ends)
Scene 3 – The Room
FADE IN:
EXT. NOTTINGHAM – CITY CENTER – DAY
Joe is walking with a large bag, looking for a room to rent.
The weather is overcast and the city is busy. (Fast-paced music in the background)
Joe dodges traffic and gets bumped into by people.
Camera cuts to various shots of him walking in and out of buildings, coming out without luck.
Camera dips to black
As Joe walks up to the next house. Paul looks out of his window and sees Joe walking up to his neighbor’s door holding a newspaper. Joe looks over and sees Paul looking at him through the window. Joe knocks…
MARGARET
Hello, who is it?
Joe
Hi, I’ve come to look at the room you posted for let in the newspaper.
MARGARET
Oh, come on in. Would you like a cup of tea?
Camera dips to black.
Margaret is showing Joe a room.
MARGARET
You know, to be honest, it is lucky for me that you are having such bad luck Joe. I Haven’t been able to get anyone to take this room.. I put the price so low because I know it’s not a nice neighborhood, and one must be ever so cautious. The last time someone even came to look at the room was about a year ago..
Joe
I’ll take it, thank you.
Camera dips to black.
Joe looks around the room and then out the window at the sunset. He then lies down and closes his eyes. (Somber music in the background)
Camera dips to black.
(Scene 3 Ends)
Scene 4 – The Streets
FADE IN:
INT. NOTTINGHAM – PAULS HOUSE – NIGHT
Paul is looking at himself in the mirror. (Somber music in the background)
He pulls his hood over his head and walks out of the bathroom.
Paul walks to his front door. With his hand on the doorknob, he looks to the left at a photograph of his brother smiling on the wall. He turns the handle and walks out. Joe is taking out the trash when Paul walks out and they exchange a prolonged awkward glance at each other.
Camera cuts to various quick shots of Paul hanging out with a gang, drinking, smoking cigarettes and robbing people. (Aggressive music in the background)
Camera dips to black
Paul is lying in bed with his hood still up. He has his hands on his chest and a the picture of his brother underneath them.. his eyes wide open, staring at the ceiling.
Camera fades to black
(Scene 4 Ends)
Scene 5 - The Loss
FADE IN:
EXT. NOTTINGHAM – VARIOUS SHOPS/JOB AGENCIES – DAY
Joe is asking various people for work and walking in and out of markets, stores, and job agencies.
As he comes out of the last place, he walks though an alleyway and is attacked by three people in hoods. As this is happening, Paul goes to walk into the alleyway and sees one of the attackers steal Joe’s mother’s necklace while the other two kick him on the floor.
The attacker looks up at Paul and nods. Paul nods back and walks the other way.
Paul turns and walks the other way.
Camera dips to black
(Scene 5 Ends)
Scene 6 – The Call
INT. NOTTINGHAM – PAUL’S ROOM – DAY
Paul is smoking a cigarette and listening to music. He looks out of his window, and sees Joe returning. He is limping and holding his face. Paul hears the door slam and Joe enter his room. He walks over to the other wall, puts his head against the wall and can hear Joe crying.
His phone rings…
PAUL
What do you want?… I told I would be there at 11 and it’s not even half nine yet… Whatever man I’ll be there…. Safe.
Camera dips to black
Paul is getting ready to go out.
He hurriedly puts on his hoody, grabs his backpack off a chair, and walks out the door. (Ominous music in the background)
(Scene 6 Ends)
Scene 7 – The Rescue
INT. – NOTTINGHAM - JOE’S ROOM - NIGHT
Joe climbs out of bed and walks out of the room.
He walks down the stairs and into the kitchen.
As he is filling a glass with water he looks out the window above the sink that looks over a courtyard behind his house. He sees a shape and when it moves slightly he goes to inspect. He slowly opens the door to the courtyard and walks cautiously over to the figure. As he gets nearer, he can see a Paul lying on the ground…
JOE
Hey are you ok?… What’s happened?… Sir your bleeding…
PAUL
Please…
JOE
Yes, let me help, do you have a phone to call an ambulance?
Paul groans in pain.
JOE
I’ll be right back.
PAUL
No… Please go away… they’re coming… stay inside!
JOE
What? Who? Who’s coming? Why would whoever did this come back?
PAUL
GO!
Joe hears shouting nearby.
JOE
Come on…
Joe helps Paul up assists him in waking to the door.
When they get inside Joe lays Paul on the floor and crouches down. He looks up over the widow and sees two large men and quickly ducks back down.
Camera dips to black
(Scene 7 Ends)
Scene 8 – The Talk
INT. NOTTINGHAM - JOSEPH’S ROOM - NIGHT
A couple candles light the room.
Joseph is sitting on the floor reading a book. Paul is on the bed and begins to wake up.
Joseph puts the book down, grabs a glass of water, and gets up. He walks over to the bed and leans over Paul.
JOSEPH
Are you alright? You’ve been unconscious for a few hours. Here is some water.
Paul looks at Joseph confused.
PAUL
Where am I?… Who are you?…
JOSEPH
Don’t worry, my name is Joseph and you are in my room I brought you in from out back. You’re safe…
Paul goes to sit up but groans in pain.
JOSEPH
No, no, please stay laying down. You need to get to a hospital… I didn’t have a phone to call an ambulance and I couldn’t take you because the people who were after you stayed and broke into next door… I thought they were just looking for you but they only left about an hour ago…
JOSEPH
I think you will be fine, I tied cloth around some of your cuts to stop the bleeding. If you don’t mind me asking, what happened to you?
PAUL
I don’t want to speak about it kid.
JOSEPH
Ok, that’s fine, let me make you some tea…
Camera dips to black
Joseph returns with a cup of tea and some biscuits.
JOSEPH
Here you are, please help yourself to as many as you like…
Paul looks up at Joseph, then takes a sip of tea.
PAUL
No thanks… umm…
JOSEPH
Joseph, my name’s Joseph… Pleased to meet you, however unfortunate under these circumstances…
PAUL
Yeah… Why are you here Joseph?
JOSEPH
Well, you see my parents died when I was 17. My father left me the land and a small inheritance. With that I bought a seat on a small ship.
I arrived two days ago and took a bus to Nottingham to find work…
PAUL
How are you finding it?
JOSEPH
Quite hard… it’s not what I expected… How bout you? What do you think of Nottingham?
PAUL
See me, I’ve only lived down the street and next door. I used to love it, there was a big energy to it… Now, I just want to leave.
JOSEPH
Leave and go where?
PAUL
The Bahamas… become a scuba diving instructor…
JOSEPH
Oh? why that?
PAUL
My little brother, it was his dream…
JOSEPH
Where is he now?
PAUL
Dead for the same reason you see me here tonight…
JOSEPH
What reason is that?
Paul sighs loudly.
PAUL
You see Joseph, when you grow up in a rough place, there are always people trying to take advantage of you… Sometimes you get forced into things that you don’t really want to be in… things where there are no ways out… things that end up hurting other people… innocent people.
JOSEPH
That is what I thought too Paul… however, I’ve realized that you must create life, do not let it create you, or else it will destroy you.
Camera dips to black.
(Scene 8 Ends)
Scene 9 – The Note
INT. NOTTINGHAM – JOSEPH’S ROOM – MORNING
The window is open and the sun in shining brightly though. Joseph is laying on a cot on the floor and begins to wake up. He looks around for Paul. The sun gleams on a note left on the bed, as Joseph opens it, money begins to fall out. Joseph opens it fully and starts to read the note out loud.
“Joseph, This is the reason why those guys were after me last night. I could never thank you enough for your kind words and for saving me. I’m sorry that you got involved. No one else would have done that for me and I’m never going to let it happen again. I’m going straight to the Bahamas with the other half of the money. I hope this holds you over while you make a name for yourself. I’ll send you a postcard…
Paul”
(Roll Credits)
Character Study
Here is a character study which I did for my short film. This helps to conceptualise what each character is about and gives a backdrop to their meaning and purpose in the story:
Character Study:
Joseph:
• Lost his Mother and Father
• Smaller built
• Innocent
• Timid yet eager
• From a small town
• Wears tatty, non-lable clothing
• Loves music
Paul:
• Lost his little brother
• Larger built
• Forced into a gang in Nottingham when he was young and became the leader
• Distant from others due to second guessing his life
• Has a strong conscience
• Dresses in all black
• Loves music
• Wants to honor his brother and become a scuba diving instructor
Johnnie:
• Pauls dead little brother
• Innocent
• Cheerful
• Smaller frame
• Wears collared shirts and shoes
• Wanted to go scuba diving in the Bahamas
Margaret:
• Landlord
• Older woman who lives on her own
• Frail
• Kind
• Honest
Character Study:
Joseph:
• Lost his Mother and Father
• Smaller built
• Innocent
• Timid yet eager
• From a small town
• Wears tatty, non-lable clothing
• Loves music
Paul:
• Lost his little brother
• Larger built
• Forced into a gang in Nottingham when he was young and became the leader
• Distant from others due to second guessing his life
• Has a strong conscience
• Dresses in all black
• Loves music
• Wants to honor his brother and become a scuba diving instructor
Johnnie:
• Pauls dead little brother
• Innocent
• Cheerful
• Smaller frame
• Wears collared shirts and shoes
• Wanted to go scuba diving in the Bahamas
Margaret:
• Landlord
• Older woman who lives on her own
• Frail
• Kind
• Honest
Fictional Short Film
Recently we have been given the task to create a 6 minute fictional film based on the relationship between two people. We have to turn in a 1 minute pilot of this film at the end of the term and the film in its entirety next term. Here is the outline for the idea that I came up with (the names are temporary):
FOREIGN STREETS
(First Outline)
Synopsis:
“Foreign Streets” is a story about Joseph a young person from another country (preferably outside the UK) who has lost his family and moves into a run down house in a rough area in England. While looking for work, he experiences a hostile environment and sees a side of England he had never heard of. Meanwhile, Paul, the local “big man” on the block has been noticing the young man and has been second-guessing his life in trouble due to recent losses of his own. One night Joseph hears some noises in the alley behind his house and finds Paul stabbed and takes him into his house, saving him from a rival gang. After this they become friends and the young immigrant convinces the local hoodlum to leave Nottingham and follow his dream of leaving his gang and becoming a scuba diving instructor in the Bahamas.
Who:
Joseph (18)
Paul (25)
Johnnie (16)
Margaret (60)
Where: Nottingham
How:
- Quick momentum (Eight 30s scenes with quick shots and one 1min45s scene)
- Use of flashbacks
- Themeatic and contrastic music
- Building a relationship through parallels between two opposite characters
Why:
I want to make this film to compare and contrast two different cultures. At the same time, I want to show that people from different cultures are often the same. This belief stems from living abroad and being an international student in Nottingham.
FOREIGN STREETS
(First Outline)
Synopsis:
“Foreign Streets” is a story about Joseph a young person from another country (preferably outside the UK) who has lost his family and moves into a run down house in a rough area in England. While looking for work, he experiences a hostile environment and sees a side of England he had never heard of. Meanwhile, Paul, the local “big man” on the block has been noticing the young man and has been second-guessing his life in trouble due to recent losses of his own. One night Joseph hears some noises in the alley behind his house and finds Paul stabbed and takes him into his house, saving him from a rival gang. After this they become friends and the young immigrant convinces the local hoodlum to leave Nottingham and follow his dream of leaving his gang and becoming a scuba diving instructor in the Bahamas.
Who:
Joseph (18)
Paul (25)
Johnnie (16)
Margaret (60)
Where: Nottingham
How:
- Quick momentum (Eight 30s scenes with quick shots and one 1min45s scene)
- Use of flashbacks
- Themeatic and contrastic music
- Building a relationship through parallels between two opposite characters
Why:
I want to make this film to compare and contrast two different cultures. At the same time, I want to show that people from different cultures are often the same. This belief stems from living abroad and being an international student in Nottingham.
Finished Documentary
Unfortunately, I haven't been able to upload the video and need to get the .avi file from my friends hard drive. Until then, go to the link below and look at the "Last Few Yards" post at the top.
http://chrisdubock.blogspot.com/search?updated-min=2008-01-01T00%3A00%3A00-08%3A00&updated-max=2009-01-01T00%3A00%3A00-08%3A00&max-results=49
I am incredibly pleased with the result. However, I have received feedback that the music is too constant and loud. There needed to be a greater variety and also should have dipped in and out rather than played through. Also, one of the lecturers mentioned about the pace of the speaking. Nathan is constantly speaking and we didn't leave enough time between the segments of speech so that some of the information could be absorbed and also to be able to appreciate some of the visuals more. Other than these aspects, I believe the film is a massive success.
http://chrisdubock.blogspot.com/search?updated-min=2008-01-01T00%3A00%3A00-08%3A00&updated-max=2009-01-01T00%3A00%3A00-08%3A00&max-results=49
I am incredibly pleased with the result. However, I have received feedback that the music is too constant and loud. There needed to be a greater variety and also should have dipped in and out rather than played through. Also, one of the lecturers mentioned about the pace of the speaking. Nathan is constantly speaking and we didn't leave enough time between the segments of speech so that some of the information could be absorbed and also to be able to appreciate some of the visuals more. Other than these aspects, I believe the film is a massive success.
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